Readings

Listening to a man you yourself find funny laugh at jokes you don’t get is, in retrospect, a master class in learning to read social cues.

The New York Times film critic on the mistrust of critical vocabulary, making a case for his own abilities, and Ratatouille. 

The fine line between a body at war and a body at peace.

The suspended crowds depicted in these "teeming pictures" provide the opportunity to explore overwhelming chaos. 

Speaking with the author of Bad News: Last Journalists in a Dictatorship, about violence and repression in Kagame-led Rwanda and the dark side of supposed symbols of progress.

The rapper may be off in another dimension, but he's a realist. And realism is messy.

Somewhere out in Texas, a group is building a machine to challenge the human perception of time. 

Ryder has always been trapped in her own anticipatory nostalgia, and the public has always wanted to keep her there.

The Quebec director on tackling suicide, absence, and inherited melancholia in her latest film.