Why the producer’s “do-nothing” approach means everything.
Will there ever be a filmmaker more adamant about emulating the literary canon?
Over seven decades, the right to forget has seemingly become intrinsic to Indian nationhood.
“I like when you watch something,” Isaac once told Rolling Stone, “and you get the sense it’s something you’re not supposed to be seeing.”
I’ve always believed that a carefully chosen frame makes for the more appropriate film poster.