The author of The Longing for Less on minimalism as an inherent judgment, the aesthetics of community, and why he’s hesitant to identify as a minimalist himself.
The author of Uncanny Valley on becoming the perfect consumer, digital surveillance, and why Mark Zuckerberg doesn’t matter.
Talking to the author of Consider This about “dangerous writing,” testing your story-telling instincts for emotional responses, and finding laughs in transcendent tragedy.
There’s only ever so much you can control at any job. You make the things you make as good as you can, at which point they are not really yours anymore, or anyway not yours to control.
Cool always seemed like a place of safety, a protective modality, a way to move through the world while needing nothing. But cool, I learned, may have been killing me.
Threading a needle is a momentary sideline from a feeling that might otherwise darken me completely. That can be enough, and as a new decade approaches, I find peace in enough.
Taking care of living things is a science of intuition—I had no guarantee that my choices would be more helpful than harmful.
The popularity of the Storm Area 51 meme could easily be read as a cry for help—as though if we save the aliens from the government, they can, in turn, save us from ourselves.
The standard explanations for why things have happened this year have turned out to be as useless as the most far-out conspiracy theories.
I don’t have a title sitting in the car. There is anonymity in that moment, a complete lack of pressure. I’m just the driver, caught in a free, smooth space between eddies.
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