Scott Walker was once a pop star; he is now an artist whose albums—including Bish Bosch, which comes out today—are cryptic and immersive and terrifying. There are references to fascism, bestiality, disease, gastrointestinal workings. And they have either nothing or everything to do with Scott Walker the former pop star.
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Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
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Mad Pride, a global movement with Toronto roots, conceives of madness as an identity—personal, cultural, political—rather than an illness. Modelling itself after Gay Pride, it challenges biomedical narratives and empowers its adherents. But is it tenable? Is it safe?
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Spurred by memories of first love and impossible sweetness, the author of The Fruit Hunters investigates a culinary holy grail—the delectable apricot.
Answer: Hope for an inheritance.
How the bare-all confessional gave female comedians a break—and then broke their legs (it’s a metaphor).
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