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Culture

Slow Pan

When people ask if we need more queer movies, I think of a boy in a trailer in Kentucky watching two men on screen touch, just for a moment, deciding this is what love looks like.

In the Dark All Katz Are Grey: Notes on Jewish Nostalgia

Searching for where I belong, I find myself cobbling together a sort of mongrel Judaism—half-remembered and syncretic and porous and contradictory and all mine.

The Short-Lived Normalization of Breastfeeding on Television

Buffy Sainte-Marie’s decision to breastfeed her child on Sesame Street to educate viewers would be one of the last times the act was broadcast without being a punchline.

The Evolution of Sarah Polley

As an actor, director, writer and producer, she’s often examined women on the verge of reconfiguration. Her latest project, an adaptation of Alias Grace, is one she’s been thinking about for decades.

Selling China by the Sleeve Dance

Beneath the ubiquitous posters for the Shen Yun ballet is a battle between dissidents and the state over the soul of a nation, both at home and across the diaspora.

Truth in Jest?

Louis C.K. would rather ignore those assault rumours, but at this point, he can’t just let his art do the talking. 

Critical Failure

Armond White’s film reviews were once electric: part historical analysis, part posturing, part insult comedy, an attempt to take black art—and art in general—seriously. What happened?

Polymathic Spree

On Leonora Carrington, B. Catling, and the alternate, revealing visions of the world that can emerge when artists explore multiple disciplines.

It’s the New (Old) Thing: When Post-Punk and Literature Meet

From Pissed Jeans inviting Lindsay Hunter onto a song to Lynne Tillman writing for Y Pants to Kathy Acker performing with the Mekons, there’s a unique energy and catharsis in these collaborations.

But You’re Not Right

If it somehow took Milo’s appearance to reveal Bill Maher’s true form to you, perhaps you have some reckoning to do with your own Islamophobic bullshit.