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Lay It Down

People love John Samson Fellows’s music. He doesn’t want to make it anymore.

Out Around the Bay

When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.

Resisting Rhapsody: The Year of Alice Munro

She has an undeniable body of work, first-name-only recognition status, and now a Nobel Prize. Why is it so hard to love or hate Alice Munro’s writing in intellectual terms rather than personal ones?

Leather Space Man: Weather for Leather

Sleepy Madison and Leather Space Man were childhood friends, but even that meant nothing in the glare of fame.

The Murders Are Irrelevant

There’s a great tradition, from Poe to The Wire, of the crime drama that forgets it's a crime drama—and concerns itself, instead, with the minutiae of its characters’ lives. The author’s favourite book of 2013, Keith Ridgway’s Hawthorn & Child, is a model of the genre.

Avant-(Ap)art(heid): South African Protest Punk in a Dangerous Time

While Nelson Mandela sat in prison, cultural authorities in South Africa clamped down on “subversive” music, banning albums and raiding gigs. Warrick Sony’s Kalahari Surfers, however, found a way through.

Let Them Eat Steak: Arts Funding, US-Style

To those deemed worthy, six weeks at the MacDowell Colony bring new work, friendships, and great meals. Compare this to the Canadian model, in which artists (even emerging ones) receive just enough to live on from governments. Which way works best?