The author discusses her new book, Stag Dance.
“Don’t come out until I come back!”
I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.
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The author discusses her new book, Stag Dance.
I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.
If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.
The author of Julius Julius on ad agency ghosts, shaming PSAs, and sexual harassment post-#MeToo
Twenty-five years after its release, Magic: The Gathering still strikes a balance between performance and commodity—a mix of chess’s chilly purity and poker's social theatre.
I somehow thought my mother would die and still be alive, somewhere in that distant sound that resembles the sea in which she taught me to swim. But she is not there.
The author of Foe on marriage, having Charlie Kaufman adapt your work, and why he likes stories that remind him of Manu Ginobili.
The author of Certain American States on living with titles, the narrative space of relationships, and why short stories are like sauce.
The author of If You Leave Me on the Korean War, listening to your family stories, and the cost of survival.
Talking to the creator of Prism Stalker about body horror, complicating stories of subjugation and colonialism, and finding inspiration in Sailor Moon.