When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
Latest
When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
The author of Lake Success on Republicanism, capitalism in the age of Trump and the strange ways we differentiate serious fiction and humour.
Matsuda Eiko's career illustrates the erasure that occurs when women's creative work is falsely reduced to autobiography.
The author of My Year of Rest and Relaxation on writing grief, the role of beauty and shuffling down to the bodega.
Twenty-five years after its release, Magic: The Gathering still strikes a balance between performance and commodity—a mix of chess’s chilly purity and poker's social theatre.
I somehow thought my mother would die and still be alive, somewhere in that distant sound that resembles the sea in which she taught me to swim. But she is not there.
The author of Foe on marriage, having Charlie Kaufman adapt your work, and why he likes stories that remind him of Manu Ginobili.