When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
Talking to the author and artist of Leaving Richard's Valley and Stunt about addressing working conditions in comics, benevolent cults, and the pleasure of soliloquies.
The author of Older Sister. Not Necessarily Related. on which adoption narratives get to be good, surveillance, and memoir as reclamation.
I am now one of a small number of people to have actually seen The Four in the flesh. Well, not quite the flesh.
Talking to the author of I Become a Delight to My Enemies about writing as a natural act (or not) that fixes your life (or doesn't), humour as a balm, and the power of shame.
The author of The Secrets We Kept on Doctor Zhivago, the Lavender Scare, and book burning.