The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Midwives

It’s weird how hitting the ground doesn’t really hurt.

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The Almost Dad

Is it okay that he’s over here so often, hooking up my mum’s speakers and swirling his single malt Scotch? We all wonder, we never ask.

Victims and Executioners

Whatever angle you look at it, one detail is incontrovertible: in the end, a man is going to be killed.

Midwives

It’s weird how hitting the ground doesn’t really hurt.

The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Outside, People Were Crying, Or They Weren't

Is that bizarre? he asked. That such a brief experience of love was too much?

'America is Always in Therapy and Not Getting Much Out of It': An Interview with Jason Diamond

Talking to the author of The Sprawl about teen rage, community disconnection, and building better suburbs.

'Moments Are Part of a Pattern': An Interview with Rebecca Watson

The author of little scratch on rape narratives and the brutality and permanence of language. 

Time in NYC

He had Alex now, he thought. He wouldn’t feel those old pangs. But the loneliness greeted him like a—well, not so much like an old friend. But. You know. Like loneliness.

'It is Mysterious, Ultimately, How Art is Made': An Interview with Madhur Anand

The author of This Red Line Goes Straight to Your Heart on Partition, science, and perspective. 

'History Unaddressed Recurs': An Interview with Isabel Wilkerson

Speaking to the author of Caste about the insufficiencies of the term "racism," objectivity versus balance, and the opportunities America's coming demographic shift presents.