The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
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The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”
It’s comforting to know that in the annals of history, my day-to-day personal suffering won’t show up at all. Unfortunately, in the present, the details are apparent, if only to me.
Some find comfort in conspiracy; I’ve found it in asking the same questions about plants and insects and mold my seven-year-old self might.
Why, a decade ago, did my father give me the heavy gift of a controversial 100-year-old Oswald Spengler tome? It took a pandemic for me to find out.
The author of Bestiary on mythmaking, how grossness co-exists with beauty, and changing your destiny.