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When it works—think Beyoncé and Chimamanda Ngozi Adichie, Blur and Martin Amis, Nirvana and Patrick Süskind—the intersection of pop music and literature can be a wonderful, mutually beneficial thing.
Pieced together from rare archival footage, a young fan remembers his first concert experience. As with all things Leather Space Man, it goes off the rails almost immediately.
Victim in Pain, the debut album by New York’s Agnostic Front, turns 30 this year. At just over 15 minutes, it’s the perfect product of a fraught time and perilous place—an essential document of a Lower East Side that is, for better or worse, unrecognizable today.
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