The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
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The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”
She stops to look into her mother's face. It is smooth and blank as a stone. Nothing emerges; nothing shifts.
A calculated veneer of identity is our most valuable modern resource.
The author of The Death of Francis Bacon on "big, canonical problematic figures," questioning artificiality, and creepy doll furniture.
Talking to the author of Beautiful World, Where Are You about not creating characters from a place of moral superiority, authors as celebrities, and the great stakes of love and friendship.
Talking to the author of Stone Fruit on queer child care, the importance of breakups, and the peach-walnut dichotomy.
Talking to the author of Something New Under the Sun about realist novels, writing as an archaeological excavation, and taking for granted fitting into the world.
The author of Lost in Summerland on marriage, Virginia Woolf and the hermeneutics of suspicion.