Solitaria

“Don’t come out until I come back!”

Who Are You Close To?

I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.

The East is Red

If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.

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Solitaria

“Don’t come out until I come back!”

Who Are You Close To?

I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.

The East is Red

If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.

How to Get Undead in Advertising: An Interview with Aurora Stewart de Peña

The author of Julius Julius on ad agency ghosts, shaming PSAs, and sexual harassment post-#MeToo

In the Mist

Notes on cruising. 

Duke Alvarez: American Mummy Outlaw; or, The Undead Years of Phillipe LaFontaine

The manner of my demise is of little interest, besides serving as our jumping off point.

'There’s Just No Excuse for What Memoir Does to the People in Our Lives': An Interview with Margaret Kimball

The author of And Now I Spill the Family Secrets on contradictory memories, record-keeping, and ways to articulate grief.

Rothko at the Inauguration

A story of America in three scams.

“We Have to be Brave Enough to Be Vulnerable”: An Interview with Laura Raicovich

The author of Culture Strike: Art and Museums in an Age of Protest on the myth of neutrality, collective culture, amd museums’ responsibility.

Sacrifice

An eccentric monk’s singular scrap cathedral reveals the chaos and genius of his mind.

Every Letter a Path

My name is someone's past and my present and I'm not sure about the future.