Solitaria

“Don’t come out until I come back!”

Who Are You Close To?

I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.

The East is Red

If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.

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Solitaria

“Don’t come out until I come back!”

Who Are You Close To?

I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.

The East is Red

If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.

How to Get Undead in Advertising: An Interview with Aurora Stewart de Peña

The author of Julius Julius on ad agency ghosts, shaming PSAs, and sexual harassment post-#MeToo

In the Mist

Notes on cruising. 

Duke Alvarez: American Mummy Outlaw; or, The Undead Years of Phillipe LaFontaine

The manner of my demise is of little interest, besides serving as our jumping off point.

'I Would Not Ever Give Anyone the Raw Experience': An Interview with Donika Kelly

Talking to the author of The Renunciations about structuring a book of poetry, living with myths, and caring for yourself and others when writing about trauma. 

'Part of Being Young is How Much You Notice': An Interview with Scarlett Thomas

The author of Oligarchy on teenaged girls, hierarchies within hierarchies, and the great confidence tricks of capitalism. 

‘There’s No Public Health Without a Public’: An Interview with Geoff Manaugh and Nicola Twilley

The authors of Until Proven Safe on the ongoing pandemic, the history of quarantine, and our existential precarity.

Digitizing Maxi Cohen's Legacy

What does it take to preserve an independent filmmaker's oeuvre?

'It's Very Easy to Imagine a Dystopia': An Interview with Joss Lake

Talking to the author of Future Feeling about letting characters carry on in literary reality, counterbalancing angst and humor, and the interconnectedness of queer relationships.

Who Do You Want to Be Tonight, Zola?

A calculated veneer of identity is our most valuable modern resource.