When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
Covering mirrors while in mourning has a curious ambivalence: both ritual and superstition, a way of honoring the dead and warding them off, a vow that hides within the fear of something going wrong.
Talking with the Hard Core Logo and Highway 61 director about his new film, Hellions, the joys of a hard-ass editor, the miseries of Can-con, and the inherent strangeness of childbirth.
Lou Henry Hoover is a force in boylesque, the traditionally male offshoot of the traditionally female world of burlesque. He's also an outsider: Hoover is the drag persona of the dancer Ricki Mason.
As video games increasingly adopt the language and pacing of literature—intricate plots, morally ambiguous characters, endlessly expansive worlds—what effect are they in turn having on books?
An amulet, a treasure hunt, and a legion of readers mobilized by the false patterns our brains create to make sense of the world around us.