The Giller Prize-winning author returns with a new novel, Quartet for the End of Time, which challenges not only her readers, but the limits of artistic expression.
Interview
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The author of This Changes Everything on how the environmental movement went awry, and why it needs to rediscover its sense of radicalism—demanding deep change from the status quo.
An email exchange with the singer, composer, and multi-instrumentalist about his new album, song sequencing, dysphoria, and moving to Montreal.
Mireille Silcoff on her new fiction collection, inspired by her own epic battle with a rare spinal condition.
Hazlitt drops in on Nick Harkaway, née Nicholas Cornwell, at his London local. Discussed: his new novel Tigerman, writing as a compressed statement of identity, and the anxieties of paternal influence.
The author of Crimes Against My Brother speaks with Craig Davidson about the presence of God in his fiction, working class characters, and not condescending to the religious.
The Quebecois director talks about his film, Tom at the Farm, how his work is received in America, and why never actually gets around to watching movies.
Miriam Toews, author of All My Puny Sorrows, discusses fictionalizing her family history, how shame begets art, and creating a community with her writing.
The author of Proof of Heaven explains how a Near-Death Experience made him think differently about consciousness, and why science needs to shed its materialism for a more spiritual approach.
Ghalib Islam, author of Fire in the Unnameable Country, discusses growing up in Toronto’s Jane and Finch area, the “breathlessness” of his writing, and the resistance he faced when he decided not to venture into a more secure career.
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