On levels of fandom, the limits of myth in sports, and why someone would draw 185 portraits of Randy Johnson with no intention of ever selling them.
Culture
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Gordon Korman wrote his first bestseller in seventh grade. Eighty-eight books (and counting) later, a movie adaptation revisits the early work of a man whose audience changes every graduation season.
Phife never presented himself as a celebrity. He was always a hard-working, fun-loving guy whose success was never as important as letting us know how dope he was.
Nancy Reagan, Antonin Scalia, Glenn Frey: Are all celebrity deaths equal and equally hilarious?
The filmmaker behind Uncle Boonmee Who Can Recall His Past Lives and Cemetery of Splendour on how film and dreams influence each other, Bangkok's uniformity in American movies, and dinosaurs.
American Crime Story: The People vs OJ Simpson's Marcia Clark episode was a master class in the effect of misogynist aggression in the public sphere.
The Replacements are a really, really great band: Hazlitt contributors investigate.
If the “like” remains the basic unit of reaction on social media—and therefore, of online life—then the most powerful force is indifference.
Say what you will about Sisyphus, but at least he never pretended he was going to start taking advantage of his maximum RRSP contributions. Also, rock-pushing is great for your core.
From R. Kelly to Bill Cosby, sexual abuse by public figures is often ignored by fans in order to keep the illusion of what they create alive.
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