From the heartsick graverobbers of early Romantic literature to the latest gritty cable crime drama, the dead woman is never simply mourned and forgotten, but fully objectified and consumed.
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As much as I appreciate wine and like to drink it, I’m not building a monument to good taste—it's a library of possibility.
Speaking with the showrunners ahead of the spy drama's season-four finale about building to big narrative payoffs, allowing themes to emerge subconsciously, and when the show surprises even them.
Talking with the author of Avenue of Mysteries about writing what you're afraid of, the vanity of the Great American Novel, and the perils of sleeping with both a mother and a daughter.
Talking with the director of High-Rise about the challenges of adapting J.G. Ballard, the benefits of setting a film in the Seventies, and how genre can give and take away.
The legendary war correspondent found domesticity and adventure are not easily balanced.
Not knowing what I’m talking about has probably been a hindrance in ways I am blessedly unaware of, but ultimately, my being wildly wrong about anything and everything hurts no one, not even me.
The art of the story itself hinges on orphans: without them, the novel might never have been conceived.
When Prince died, I found myself instantly transported back to that day in 1984 when I realized just how big music could be, how much it could contain.
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