Readings

Butts, contrary to what the tastemakers at The New York Times might have you believe, have always been pretty popular. What’s unique about this particular vogue is that, for once, it’s women-driven.

The author of This Changes Everything on how the environmental movement went awry, and why it needs to rediscover its sense of radicalism—demanding deep change from the status quo.

The CRTC’s interrogation of Netflix may have lacked grace, but the fact that we like the service the way it is isn’t an argument against regulations that all Canadian broadcast media must follow.

Robert of Timothy Findley’s The Wars is a survivor, and he curses himself. What does it mean to be the sole survivor?

“Blurred Lines” may sound like “Got To Give It Up,” but the true connection between the two singers is revealed in the pages of Thicke’s strange and sad deposition: a tendency toward self-pity.

The space agency is making exciting strides in deep-space exploration—but, apparently, not keeping a careful enough eye on objects closer to Earth.

An email exchange with the singer, composer, and multi-instrumentalist about his new album, song sequencing, dysphoria, and moving to Montreal.

Yes, the comments are terrible, but the extent to which commenters' behavior deviates from established psychological patterns is fascinating. And terrible.

We pay a visit to the Canadian artist’s Brooklyn studio and take in her latest work. Discussed: creating versus criticism, the logic of colour, and what pretty means.