The author discusses her new book, Stag Dance.
“Don’t come out until I come back!”
I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.
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The author discusses her new book, Stag Dance.
I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.
If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.
The author of Julius Julius on ad agency ghosts, shaming PSAs, and sexual harassment post-#MeToo
The author of My Name Is a Knife on historical fiction, frontier life, and sharing headspace with her characters.
My grandfather had never told me about his trip to the Soviet Union in the sixties, but I don't know why I was surprised. He never told me anything, not even my grandmother's name.
The author of A Terrible Country on what a story about Russia can say about America, dark moments during writing, and why there aren't more novels about hockey.
I was told getting laid off from my dream job had nothing to do with me, but after I was let go, I felt like I had lost a part of myself that I couldn't get back.
The author of Boys: What It Means to Become a Man on navigating masculinity in parenting, sex education and sports.
Just as a wall does not separate but binds two things together, language keeps us inextricably entangled and inextricably separate.