When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
Ursula was a singular Disney villain, and behind the animated tentacles was a real-life, big-haired, poo-eating Baltimore drag queen named Divine.
The rising influence of women in Indian film has been crucial to how their stories are told on and off-screen, putting more power into their hands.
Following allegations of abuse, we often have conversations about “separating art from the artist.” But what if said art helped you through your own assault?
Bowie was the one who alerted me to pop as a medium, its shimmering fields of plastic. Even his most mercenary projects were sincere in the gesture’s moment.
Does Paris Syndrome, a sickness of dashed expectations, even exist?