Released thirty years ago, Prince's directorial debut seemed calculated to frustrate the fans who bought tickets to Purple Rain weekend after weekend.
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A photograph is no more a memory or a gun than it is a murder or a moral code: On the work of Matt Bialer and the streets of New York City.
Talking with the author of White Sands about blurring the boundaries of fiction and nonfiction, the disappointments of pilgrimage, and the possibilities of serious comedy.
The author of Welcome to the Goddamn Ice Cube on dog sledding, abuse, and the lure of the Arctic.
In a new documentary about the 1964 killing of Kitty Genovese, her brother confronts the myth that 38 people turned a blind eye to her murder.
From the heartsick graverobbers of early Romantic literature to the latest gritty cable crime drama, the dead woman is never simply mourned and forgotten, but fully objectified and consumed.
The director of Chevalier on character development, masculinity, and why kissing is really kind of weird.
Any provisional understanding of what’s going on in your head is comforting—even if that understanding is a fiction. Rather than therapy, I look to the stars.
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