When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
Talking to the author of Something That May Shock and Discredit You on the pressure put on trans memoirs, leaving the church, and the myth of an unblemished body to be defended.
What happened when four poets from Franco's Spain took their show on the road.
The author of New Waves on the internet, science fiction, and form.
The author of The Exhibition of Persephone Q on navigating the early internet, the absence of ambition, and identity crises both large and small.
The NBA halftime show is a kind of Trojan horse—a secret, strange venue for performance art, hidden at the centre of one of our most mainstream entertainment juggernauts.
Talking to the Destroyer singer-songwriter about his new album, Have We Met, writing as an act of inspiration, and being a musician in middle age.