On interrogating fear and what bats can teach about human connection.
The author discusses her new book, Stag Dance.
She stops to look into her mother's face. It is smooth and blank as a stone. Nothing emerges; nothing shifts.
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She stops to look into her mother's face. It is smooth and blank as a stone. Nothing emerges; nothing shifts.
The author discusses her new book, Stag Dance.
I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.
If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.
There was, I thought, a type of man who’d frequent a bathhouse. This turned out to be ignorance.
The author of Uncanny Valley on becoming the perfect consumer, digital surveillance, and why Mark Zuckerberg doesn't matter.
Talking to the author of Consider This about "dangerous writing," testing your story-telling instincts for emotional responses, and finding laughs in transcendent tragedy.
There’s only ever so much you can control at any job. You make the things you make as good as you can, at which point they are not really yours anymore, or anyway not yours to control.
Cool always seemed like a place of safety, a protective modality, a way to move through the world while needing nothing. But cool, I learned, may have been killing me.
Threading a needle is a momentary sideline from a feeling that might otherwise darken me completely. That can be enough, and as a new decade approaches, I find peace in enough.