Is it okay that he’s over here so often, hooking up my mum’s speakers and swirling his single malt Scotch? We all wonder, we never ask.
Whatever angle you look at it, one detail is incontrovertible: in the end, a man is going to be killed.
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Is it okay that he’s over here so often, hooking up my mum’s speakers and swirling his single malt Scotch? We all wonder, we never ask.
Whatever angle you look at it, one detail is incontrovertible: in the end, a man is going to be killed.
The author of Here Until August on the cruelty of language, fiction as a form of introspection, and writing as an act against ventriloquism.
Talking to the author and artist of Leaving Richard's Valley and Stunt about addressing working conditions in comics, benevolent cults, and the pleasure of soliloquies.
The author of Older Sister. Not Necessarily Related. on which adoption narratives get to be good, surveillance, and memoir as reclamation.
I am now one of a small number of people to have actually seen The Four in the flesh. Well, not quite the flesh.
Talking to the author of I Become a Delight to My Enemies about writing as a natural act (or not) that fixes your life (or doesn't), humour as a balm, and the power of shame.