When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
How a Yukon art project became a national phenomenon of sold-out shows, dream selves and subversive sexuality.
When women can't speak up, a chorus of voices should rise to their aid, though that often seems like too much to hope for. John Irving understands this in a way most male writers don't or can't.
Guy Maddin's new feature imagines "unrealized, half-finished or abandoned films by otherwise successful directors" not as artifacts to pine after but as the accumulated muck of cinematic history.
Talking with the actor and comedian also known as Neil Hamburger about keeping a repellent character authentic, the joys of creating intricate meta-comedy, and coping with a room full of boos.
"And so my future was decided, as it often is, entirely without my consent."