Solitaria

“Don’t come out until I come back!”

Who Are You Close To?

I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.

The East is Red

If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.

Latest

Solitaria

“Don’t come out until I come back!”

Who Are You Close To?

I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.

The East is Red

If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.

How to Get Undead in Advertising: An Interview with Aurora Stewart de Peña

The author of Julius Julius on ad agency ghosts, shaming PSAs, and sexual harassment post-#MeToo

In the Mist

Notes on cruising. 

Duke Alvarez: American Mummy Outlaw; or, The Undead Years of Phillipe LaFontaine

The manner of my demise is of little interest, besides serving as our jumping off point.

Where Are All These Journalists Going to Get a Sense of Self from Now?

Maybe I like being defined by my work! Did you ever think of THAT???

Illegal Bride

Days after Anna Kashfi wed the actor Marlon Brando, doubts about her purported Indian heritage surfaced, destroying her Hollywood career and branding her a liar. The truth was more complicated than anyone knew.

Post-Conflict Combatant

They were no longer comrades, but post-conflict combatants. The war is over, he said, a phrase he would keep repeating throughout the day without emotion. It’s over.

A Requiem for Pitchfork

There’s a difference between a critic and a fan, but the line between them is receding from view.

Six Miles from the Mouth of the River

Who are land acknowledgements for?

'She is a Witness to the Course of History': An Interview with Kent Monkman and Gisèle Gordon

The authors of The Memoirs of Miss Chief Eagle Testickle on creation stories, narrating suppressed accounts, and exposing subjectivity.