Chris Randle

Polaris Prize 2014 Postmortem: Praying For Disintegration

Notes on an evening of charming Canadian earnestness punctuated by at least one moment of indisputable triumph.

What Robin Thicke Really Took From Marvin Gaye

“Blurred Lines” may sound like “Got To Give It Up,” but the true connection between the two singers is revealed in the pages of Thicke’s strange and sad deposition: a tendency toward self-pity.

The Black Notes of Owen Pallett

An email exchange with the singer, composer, and multi-instrumentalist about his new album, song sequencing, dysphoria, and moving to Montreal.

‘I’m Coming Out’ Comes Back

Ariana Grande’s “Break Your Heart Right Back” is the latest song to sample the Diana Ross hit, though in more vicious fashion than usual.

Confessions of a Serial Faver

A quick chat with Kallen Law, “that guy who favorites everything” on Twitter, about the silly thing for which he’s known and the evolution of the social media service.

Keys Open Doors: The New Pornographers’ Brill Bruisers

The band's new album is sincerely synthetic, every other instrument kept on its toes by keyboards in pursuit. It’s also the liveliest they’ve sounded in a decade.

Hue and Sigh: The Drab Palettes of Modern Superhero Movies

And what Guardians of the Galaxy gets at least a little right.

Monsters at the Door

Emily Carroll’s debut book, Through the Woods, is full of doomed characters who often feel deserving of the grisly punishment coming their way. The stories are personal, in other words.