Picture This: You're a Frog

It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.

The Empty Tune

“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”

Torrey Peters on Writing Symbols, Sex, and Strategy

The author discusses her new book, Stag Dance

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Picture This: You're a Frog

It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.

The Empty Tune

“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”

Soul Blind

On interrogating fear and what bats can teach about human connection.

The Creature

She stops to look into her mother's face. It is smooth and blank as a stone. Nothing emerges; nothing shifts.

Torrey Peters on Writing Symbols, Sex, and Strategy

The author discusses her new book, Stag Dance

Solitaria

“Don’t come out until I come back!”

'It Was Like Playing Around with the Blood of the Alphabet Itself': An Interview with Patricia Lockwood

Talking to the author of No One Is Talking About This about transcendent misspellings, the perils of mentioning McDonald's in poetry, and the Internet at its best.

'There's Been a Kind of Erasure of the Pervert': An Interview with Jeremy Atherton Lin

Talking to the author of Gay Bar about the complexities of queer spaces, the relationship between capitalist culture and liberation, and the thrill and privilege of engaging with risk.

The Children of Dzhankoy

A very Russian turn of events: no solutions, but the trouble passes—so why bring it up?

'Speak Within the Group and Everyone Else Can Keep Up': An Interview with Torrey Peters

The author of Detransition, Baby on a trans worldview, resisting investing in illusions, and novellas-as-conversation. 

‘The Last Gasp of Capital Punishment’: An Interview with Maurice Chammah

The author of Let the Lord Sort Them on the death penalty, Texas mythology, and retribution as organizing principle. 

'Fantasies of Being Found Out': An Interview with Lauren Oyler

Talking to the author of Fake Accounts about writing for magazines versus writing a novel, leaning too heavily on structural devices in fiction, and books that could use more sentences.