These art objects let me feel my own living form through the many shapes they had been pressed into.
It’s weird how hitting the ground doesn’t really hurt.
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Social media is filled with documentation of human suffering. So why read a tragic novel?
The author of Craft in the Real World on revision, breaking habits, and fixing the writing workshop.
After my wedding, I began looking for a language for the partnership, both metaphorical and actual, I seemed to have contracted.
This year, every day I spent in isolation was in preparation for the days when I could join others in something bigger than ourselves.
There is something exciting about anticipating a space before it is inevitably interfered with by a human—what might also be called living.
Talking to the author of Wagnerism about uncovering counter-narratives, keeping a healthy skepticism of your relationship with art, and totalitarian intolerance of eccentric creativity.