The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Midwives

It’s weird how hitting the ground doesn’t really hurt.

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Midwives

It’s weird how hitting the ground doesn’t really hurt.

The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Against Redemption

Social media is filled with documentation of human suffering. So why read a tragic novel?

Old Peg

“I guess I should tell you about something.”

‘We Act Consciously on the Page and in Life’: An Interview with Matthew Salesses

The author of Craft in the Real World on revision, breaking habits, and fixing the writing workshop.

The Business of a Marriage

After my wedding, I began looking for a language for the partnership, both metaphorical and actual, I seemed to have contracted.

The Year in Time

This year, every day I spent in isolation was in preparation for the days when I could join others in something bigger than ourselves.

The Year Inside and Out

There is something exciting about anticipating a space before it is inevitably interfered with by a human—what might also be called living.

'There's Some Kind of Evil Behind Every Great Work of Art': An Interview with Alex Ross

Talking to the author of Wagnerism about uncovering counter-narratives, keeping a healthy skepticism of your relationship with art, and totalitarian intolerance of eccentric creativity.