The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Midwives

It’s weird how hitting the ground doesn’t really hurt.

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Midwives

It’s weird how hitting the ground doesn’t really hurt.

The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Against Redemption

Social media is filled with documentation of human suffering. So why read a tragic novel?

Where Monsters Are Made

For centuries, queerness and horror have been intertwined, horror relying on queerness for shock and pungency, and queerness relying on horror for visibility and validation. 

‘There’s An Absence in Language for Communicating Something as Visceral as Pain’: An Interview with Mona Awad

The author of All’s Well on dark academia, Shakespearean witches, and the tragicomedy of chronic pain

'She Was a Mystery': An Interview with Camilla Wynne

The author of Jam Bake on flavour libraries, candied fruit and making things with your hands that taste good. 

'There's No Formula to Fix Loneliness': An Interview with Kristen Radtke

The author of Seek You on recognizing obsessions, Sandra Bullock, and separating solitude and loneliness. 

The (Other) French Chef

Julia Child's collaborator Simone Beck has lingered as an object of pity in public memory. But maybe Beck didn’t want stardom at all.

'Horniness Recollected in Tranquility': An Interview with Hermione Hoby

Talking to the author of Virtue about writing as shedding self-consciousness, the impossibility of living an uncompromised life in a compromised world, and Toni Morrison's bathroom.