Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
The author discusses her new book, Stag Dance.
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Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”
She stops to look into her mother's face. It is smooth and blank as a stone. Nothing emerges; nothing shifts.
The author discusses her new book, Stag Dance.
“I like when you watch something,” Isaac once told Rolling Stone, “and you get the sense it’s something you’re not supposed to be seeing.”
The author of Bad Sex on the body horror of pregnancy, selling books about sex, and why this might be her last word on her mother’s body of work.
The author of My Face in the Light on artistic process, phsyical mediums as a foil to writing, and the tension between surface and interior.
The Montréal cartoonist on his debut book The Pursuer, the evolution and influence of comic books, and how a lifelong passion for drawing became a career.
The author of Nightbitch on anger, needy toddlers, and writing as emotional exorcism.
The author of How You Get Famous on Brooklyn drag, RuPaul, and genderfuck.