When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
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When Wanda bought the house, she didn’t imagine that anyone in the community would recognize that she and Lynn were queer.
The baby had come from a place none of us could remember. Our grandmother was headed there.
The author of Mother of God discusses the limitations of realism, Frank Bidart, and the anguished duality of shame.
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
Who gets to keep the record that everyone is so bored making?
Margaret visits the Hazlitt Studio to talk about The Heart Goes Last, the prison industrial complex, and the market for furniture you could fuck.
Butoh dancer Moe Yamamoto's notebook is a document of sustained transition.
