How millennials listen to music, and why genre still matters.
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“Blurred Lines” may sound like “Got To Give It Up,” but the true connection between the two singers is revealed in the pages of Thicke’s strange and sad deposition: a tendency toward self-pity.
An email exchange with the singer, composer, and multi-instrumentalist about his new album, song sequencing, dysphoria, and moving to Montreal.
Ariana Grande’s “Break Your Heart Right Back” is the latest song to sample the Diana Ross hit, though in more vicious fashion than usual.
Notes on what will eventually be a book-length prose poem about the ten-year anniversary of Arcade Fire’s Funeral LP.
History tells us that the influential German literary critic died more than seventy years ago. So how is it then that Benjamin is now out doing lectures and has published a new book?
The band's new album is sincerely synthetic, every other instrument kept on its toes by keyboards in pursuit. It’s also the liveliest they’ve sounded in a decade.
Netflix hits a terrific new low with the surprisingly dark and deeply silly BoJack Horseman.
And what Guardians of the Galaxy gets at least a little right.
The line between proud ignorance and sniggering sanctimony.
Pagination
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