Is it okay that he’s over here so often, hooking up my mum’s speakers and swirling his single malt Scotch? We all wonder, we never ask.
Whatever angle you look at it, one detail is incontrovertible: in the end, a man is going to be killed.
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Is it okay that he’s over here so often, hooking up my mum’s speakers and swirling his single malt Scotch? We all wonder, we never ask.
Whatever angle you look at it, one detail is incontrovertible: in the end, a man is going to be killed.
The author of Who Put This Song On? on emo, mental health, and the Obama years.
The author of The Man Who Saw Everything on modernist structure, novelistic characters, and David Lynch.
The author of The Topeka School on finishing a trilogy, maternal linguistic influence, and psychology.
Talking to the editors of We Both Laughed in Pleasure: The Selected Diaries of Lou Sullivan about trans representation, the process of editing private writing, and why history is gay.
In the middle of the night, the train makes one of many stops in a small town whose name appears written in a dream alphabet.
The co-author of The Beautiful Ones on writing after Prince's death, searching through his archives, and meeting your heroes.