The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Midwives

It’s weird how hitting the ground doesn’t really hurt.

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Midwives

It’s weird how hitting the ground doesn’t really hurt.

The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Against Redemption

Social media is filled with documentation of human suffering. So why read a tragic novel?

'It's Not a Huge Request to Consider Dignity a Right': An Interview with Jakob Guanzon

Talking to the author of Abundance about what’s lacking from literature centring low-income characters, the delicate act of revealing race, and the social utility of fiction.

'Pain is a Thing You Get Used to Navigating in Art': An Interview with Michelle Zauner

Talking to the author of Crying in H Mart about trusting your memory, how writing a book is different from writing a song, and art as an archive.

'Oral History is Its Own Source': An Interview with Sarah Schulman

The author of Let the Record Show on AIDS activism, gossip, and collective memory. 

‘A Woman Tells War Differently’: An Interview with Kim Echlin

The author of Speak, Silence on a writer’s responsibility as a witness, the unexpressed history of war, and carrying a feeling of home while witnessing the world.

'Nobody's Going to be Having Any Moral Epiphanies': An Interview with Patrick Radden Keefe

Talking to the author of Empire of Pain about the value of editors, the family name as a brand, and the feeling of getting your hands on the hot docs.

'Science Has to Have a Relational Connection to the World': An Interview with Diane Wilson

Talking to the author of The Seed Keeper about the tragedies of modern agriculture, and restoring Indigenous foods to communities as one way of healing historical trauma.