These art objects let me feel my own living form through the many shapes they had been pressed into.
It’s weird how hitting the ground doesn’t really hurt.
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Social media is filled with documentation of human suffering. So why read a tragic novel?
The author of Shy on inherited ideas of care, suicidal ideation, and the erotics of bullying.
My Apple Watch told me, every day, how I was grinding myself down, but it didn’t particularly care.
The author of What Doesn't Kill Us Makes Us on chronic fatigue syndrome, Nietzsche, and catastrophic life events that engender an afterlife.
The author of The Adversary on writing in the Anthropocene, crafting an unforgivable villain, and taking your place in the protest line.
Likeability? That’s for losers. Or so I thought, until I developed an unexplained chronic illness, and winning my doctors' approval became intertwined with my well-being.
The author of River Mumma on the demonization of traditional medicines, cities as characters, and quarter-life crises.