The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Midwives

It’s weird how hitting the ground doesn’t really hurt.

Latest

The Almost Dad

Is it okay that he’s over here so often, hooking up my mum’s speakers and swirling his single malt Scotch? We all wonder, we never ask.

Victims and Executioners

Whatever angle you look at it, one detail is incontrovertible: in the end, a man is going to be killed.

Midwives

It’s weird how hitting the ground doesn’t really hurt.

The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

'You Can Sing an Alternate Reality': An Interview with Sasha Geffen

Talking to the author of Glitter Up the Dark about Savage Garden as entry-point to fandom, missing shitty clubs in the midst of a pandemic, and Britney Spears's communist reblogs.

Perverts Like Us

There was a creative storytelling aspect to sex, and a form of intimacy we didn't share with boys.

'There Are Pernicious Trends and Ideologies That I See Enduring': An Interview with Rachel Vorona Cote

The author of Too Much on who gets to be excessive, whether Victorian protagonists would get along, and the privilege of seeing yourself in literature. 

Leaving the House

Sometimes I think I can identify men who have daughters. 

'A Conversation That Happens Across Space and Time': An Interview with Kawai Strong Washburn

The author of Sharks in the Time of Saviors on mythmaking, magical realism, and the hero complex. 

'Misremembering is Productive': An Interview with Harry Dodge

The author of My Meteorite on interconnectedness, chaos, and a sense of magic.