These art objects let me feel my own living form through the many shapes they had been pressed into.
It’s weird how hitting the ground doesn’t really hurt.
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Social media is filled with documentation of human suffering. So why read a tragic novel?
The author of I Fear My Pain Interests You on inevitable doom, writing through absence, and cows.
Over seven decades, the right to forget has seemingly become intrinsic to Indian nationhood.
The author of Making Love with the Land on transforming pain into love, entering as a guest into the recesses of literature, and birthing a body of text from a body of experience.
There was the glimmer of possibility in stories of bolt cutters and train yards and spray cans—possibilities of disruption and liberation.
The author of The Women's House of Detention on forgotten prison history, the incarcerated LGBTQ population, and women being punished for entering the public sphere.