The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Midwives

It’s weird how hitting the ground doesn’t really hurt.

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Midwives

It’s weird how hitting the ground doesn’t really hurt.

The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Against Redemption

Social media is filled with documentation of human suffering. So why read a tragic novel?

Closing Pandora's Box

Reckoning with the swift decline of Twitter. 

'The Language of Other Things': An Interview with Stephanie LaCava

The author of I Fear My Pain Interests You on inevitable doom, writing through absence, and cows. 

Memories of Oppression: Revisiting a Classic Documentary on Kashmir

Over seven decades, the right to forget has seemingly become intrinsic to Indian nationhood.

'It Awakens Giants That Are Sleeping': An Interview with Joshua Whitehead

The author of Making Love with the Land on transforming pain into love, entering as a guest into the recesses of literature, and birthing a body of text from a body of experience.

Graffiti, Through Grief and Discovery

There was the glimmer of possibility in stories of bolt cutters and train yards and spray cans—possibilities of disruption and liberation.

‘The System Isn’t About Justice or Rehabilitation’: An Interview with Hugh Ryan

The author of The Women's House of Detention on forgotten prison history, the incarcerated LGBTQ population, and women being punished for entering the public sphere.