Solitaria

“Don’t come out until I come back!”

Who Are You Close To?

I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.

The East is Red

If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.

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Solitaria

“Don’t come out until I come back!”

Who Are You Close To?

I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.

The East is Red

If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.

How to Get Undead in Advertising: An Interview with Aurora Stewart de Peña

The author of Julius Julius on ad agency ghosts, shaming PSAs, and sexual harassment post-#MeToo

In the Mist

Notes on cruising. 

Duke Alvarez: American Mummy Outlaw; or, The Undead Years of Phillipe LaFontaine

The manner of my demise is of little interest, besides serving as our jumping off point.

How Edie Falco Made Carmela Soprano Matter

Carmela remains Falco’s most enduring on-screen alter ego, the crystallization of her mysterious genius.

‘The Limited Story of Yourself is Actually Quite Fictional’: An Interview with William Brewer

The author of The Red Arrow on West Virginia, psychedelics, and a literary education through film.

The Year in Going Home

There’s a one-sidedness to the second-generation relationship. The homeland looms large in our imagination but we don’t in theirs.

The Year in the Thrift Store

 I didn’t want to know what I was looking for. I didn’t want to search or bid. What I wanted was the dream.

The Year in Dogs

As grief shaped daily life over the past three years, one of the few things that has reliably brought me comfort  is helping my dog be brave.

The Cabin By The Lake

Guy Mirabeau was one of many dreamers who hoped to live beyond bureaucratic reach, but the colonial reality of the "frontier myth" can no longer be ignored.