The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Midwives

It’s weird how hitting the ground doesn’t really hurt.

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Midwives

It’s weird how hitting the ground doesn’t really hurt.

The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Against Redemption

Social media is filled with documentation of human suffering. So why read a tragic novel?

‘Silence We Inherit and Carry With Us’: An Interview with Eva Stachniak

The author of The School of Mirrors on sexual violence, the history of midwifery, and opening up archival silences. 

The World We're Losing

Ecological grief captures a newly defined set of emotions, all connected to our personal relationship to the natural world.

'It Did Away With the Entire Juvenile Justice System': An Interview with Kathleen Hale

The author of Slenderman on deinstitutionalization, early onset schizophrenia, and "crimes of the century." 

Not This: Considering Oscar Isaac's Face

“I like when you watch something,” Isaac once told Rolling Stone, “and you get the sense it’s something you’re not supposed to be seeing.”

‘We Should Be Articulating Joyful Alternatives’: An Interview with Nona Willis Aronowitz

The author of Bad Sex on the body horror of pregnancy, selling books about sex, and why this might be her last word on her mother’s body of work.

‘Gestures Across Time’: An Interview with Martha Schabas

The author of My Face in the Light on artistic process, phsyical mediums as a foil to writing, and the tension between surface and interior.