From spartan cream to splashy blobs, Canada's French and English literary cultures have their own separate visual languages.
The author of Wild Houses on peripheral main characters, small town lore, and growing up around people of “miscellaneous occupation.”
At night she would try to dig her way out, and I would pull my stitches tighter, snipping off the tips of her fingers.
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From spartan cream to splashy blobs, Canada's French and English literary cultures have their own separate visual languages.
The author of Wild Houses on peripheral main characters, small town lore, and growing up around people of “miscellaneous occupation.”
The genocidal mind is not the preserve of cartoon monsters in history books. It is a collusion of psychological habits groomed and grown in people like us when we fixate on our private gardens.
Smuggling contraband in from the realm of the actual.
The author of The Extinction of Irina Rey on writing a literary sitcom about life, death and climate change.
Days after Anna Kashfi wed the actor Marlon Brando, doubts about her purported Indian heritage surfaced, destroying her Hollywood career and branding her a liar. The truth was more complicated than anyone knew.
They were no longer comrades, but post-conflict combatants. The war is over, he said, a phrase he would keep repeating throughout the day without emotion. It’s over.
There’s a difference between a critic and a fan, but the line between them is receding from view.
The authors of The Memoirs of Miss Chief Eagle Testickle on creation stories, narrating suppressed accounts, and exposing subjectivity.