The Spirit Bride

I had a kind of premonition, even before a word was said, that things were about to shift.

This Is, Maybe, 25 Percent of What Happened: An Interview with Scaachi Koul

The author of Sucker Punch on surrendering to life's cycles, writing about her divorce, and picking the right fights.

A Rage to Live

That so much night could exist within a city entranced me.

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The Spirit Bride

I had a kind of premonition, even before a word was said, that things were about to shift.

This Is, Maybe, 25 Percent of What Happened: An Interview with Scaachi Koul

The author of Sucker Punch on surrendering to life's cycles, writing about her divorce, and picking the right fights.

A Rage to Live

That so much night could exist within a city entranced me.

So Much Grows

Desire and decision may not line up. Or indecision ends up being its own decision.

The Lie of the Rules-Based Order: An Interview with Omar El Akkad

The author of One Day, Everyone Will Have Always Been Against This on euphemistic violence, Western hypocrisy, and personal complicity.

scorpio moon

after Black Belt Eagle Scout’s ‘Scorpio Moon’

The Two Solitudes of Book Design

From spartan cream to splashy blobs, Canada's French and English literary cultures have their own separate visual languages.

In the Kidnapper’s Kitchen: An Interview with Colin Barrett

The author of Wild Houses on peripheral main characters, small town lore, and growing up around people of “miscellaneous occupation.”

Two Wives

At night she would try to dig her way out, and I would pull my stitches tighter, snipping off the tips of her fingers. 

The Making of the Genocidal Mind

The genocidal mind is not the preserve of cartoon monsters in history books. It is a collusion of psychological habits groomed and grown in people like us when we fixate on our private gardens.

Writing a Novel With Pictures

Smuggling contraband in from the realm of the actual.

‘The Intimate Process That Takes Place Between’: An Interview with Jennifer Croft

The author of The Extinction of Irina Rey on writing a literary sitcom about life, death and climate change.