I had a kind of premonition, even before a word was said, that things were about to shift.
The author of Sucker Punch on surrendering to life's cycles, writing about her divorce, and picking the right fights.
That so much night could exist within a city entranced me.
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I had a kind of premonition, even before a word was said, that things were about to shift.
The author of Sucker Punch on surrendering to life's cycles, writing about her divorce, and picking the right fights.
Desire and decision may not line up. Or indecision ends up being its own decision.
The author of One Day, Everyone Will Have Always Been Against This on euphemistic violence, Western hypocrisy, and personal complicity.
From spartan cream to splashy blobs, Canada's French and English literary cultures have their own separate visual languages.
The author of Wild Houses on peripheral main characters, small town lore, and growing up around people of “miscellaneous occupation.”
The genocidal mind is not the preserve of cartoon monsters in history books. It is a collusion of psychological habits groomed and grown in people like us when we fixate on our private gardens.
Smuggling contraband in from the realm of the actual.
The author of The Extinction of Irina Rey on writing a literary sitcom about life, death and climate change.