“Don’t come out until I come back!”
I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.
If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.
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I worried I had broken the chatbot by trauma-dumping, and no one, human or machine, had the capacity to console me completely.
If he took a shortcut, if he made the creative process any easier for himself, the magic would be lost.
The author of Julius Julius on ad agency ghosts, shaming PSAs, and sexual harassment post-#MeToo
The manner of my demise is of little interest, besides serving as our jumping off point.
The author of Making Love with the Land on transforming pain into love, entering as a guest into the recesses of literature, and birthing a body of text from a body of experience.
There was the glimmer of possibility in stories of bolt cutters and train yards and spray cans—possibilities of disruption and liberation.
The author of The Women's House of Detention on forgotten prison history, the incarcerated LGBTQ population, and women being punished for entering the public sphere.
The author of The School of Mirrors on sexual violence, the history of midwifery, and opening up archival silences.
Ecological grief captures a newly defined set of emotions, all connected to our personal relationship to the natural world.
The author of Slenderman on deinstitutionalization, early onset schizophrenia, and "crimes of the century."