Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
The author discusses her new book, Stag Dance.
Latest
Standing in the wreckage of these spaces unlocks a sensation people often crave, but can’t name.
It’s an imagined past, a pastoral imaginary, an alternate timeline in the multiverse.
“Bird,” he cried, “I come on behalf of the emperor. Your voice is all anyone speaks of.”
She stops to look into her mother's face. It is smooth and blank as a stone. Nothing emerges; nothing shifts.
The author discusses her new book, Stag Dance.
John Irving on trans heroes, the nature of ghosts, and a career as a worst-case scenario guy.
The author of The Tiger and the Cage on writing about her hysterectomy, the absurdities of medical metaphor, and the illness narratives that liberate and limit us.
The author of I Fear My Pain Interests You on inevitable doom, writing through absence, and cows.
Over seven decades, the right to forget has seemingly become intrinsic to Indian nationhood.