Calum Marsh

The director of Chevalier on character development, masculinity, and why kissing is really kind of weird.

Talking with the director of High-Rise about the challenges of adapting J.G. Ballard, the benefits of setting a film in the Seventies, and how genre can give and take away.

The filmmaker behind Uncle Boonmee Who Can Recall His Past Lives and Cemetery of Splendour on how film and dreams influence each other, Bangkok's uniformity in American movies, and dinosaurs.

The director of Arabian Nights on Godard as the master of clash, "artisanal blockbusters," and why cinema is like electricity. 

Contempt for reality television is less a specific response than a herd sentiment. And yet, after so many hours under its spell, I feel like I’ve turned a corner: Gordon Ramsay is a genius.

Talking with the Hard Core Logo and Highway 61 director about his new film, Hellions, the joys of a hard-ass editor, the miseries of Can-con, and the inherent strangeness of childbirth.

Talking to the director and co-writer of Eden about authenticity in portraying electronic music on film, refusing to moralize about partying, and the masterpiece that is Showgirls.

Talking with the filmmaker behind Clouds of Sils Maria about meta-relationships between his movies, unconscious influences, and the beauty of acting.

Despite years of intimidation, censorship, and violence, Iran's filmmakers continue to rise above the nation's restrictions on the medium.