The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Midwives

It’s weird how hitting the ground doesn’t really hurt.

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Midwives

It’s weird how hitting the ground doesn’t really hurt.

The Bodybuilder

These art objects let me feel my own living form through the many shapes they had been pressed into.    

Against Redemption

Social media is filled with documentation of human suffering. So why read a tragic novel?

The Possibility of an Island

On luxury shopping, men’s fashion and end-of-the-world salvation.

 

Leonard Cohen's Hydra

“Greece is a good place to look at the moon, isn’t it?”

Unwritten Recipes

Anyone who’s lived long enough to learn to feed themselves likely has some kind of biographical dish.

‘The Things We Take For Granted Hurt Us The Most’: An Interview with Jenny Odell

Whose clock are you on? The author of Saving Time discusses actors versus automatons, and existing between the margins of the “unforgiving timetable world.”

The Big Coin Heist

It was a piece of currency so large it seemed unimaginable anyone would try to steal it. But that was part of the appeal.

Gestures of Ambiguity: On Todd Field's Tár

Tár holds back too much to work as a commentary on cancel culture, and isn't elusive enough to succeed as a work of art.