A Gospel

September 30, 2013

Stevie Howell is a poet, critic, and editor. Her poetry was shortlisted for the 2013 Montreal International Poetry Prize and the 2012 Walrus Poetry...

That picture’s somewhere still: First Communion, 13 girls
in lace and satin “Like a Virgin” frocks,
legs crossed man-style under frills, floral hairpieces
           hanging flaccid over ears. Marrying God.

An overlit confessional, gilded chairs, Father Antony’s
embroidered bib, pew-fulls of frog-eyed
parents who’d endured years waiting for our
          exorcisms. This was just before my faith fell and

I stumbled toward Hari Krishnas at the Eaton Centre
causeway and paid $20 for a tome
they would have given away; tried to find in mock-leather
          what they found there, but it hid—

or snapped up free papers about “the 18,000 realms,”
and visited living room churches north on Bathurst
with congregations of passive mutes; or let the Bahai
          indoctrinate me on Bloor, one afternoon,

where they fed me channah in a muralized Olive Garden
basement. I left with a cassette
and a mental image of a saviour cresting a hill
          with a hankering for garlic bread.

My high school and university were poverty and violence.
A quadriplegic classmate lived in a Winnebago.
Her mother’s ex cowered in a laundry hamper with a gun
          and killed her after mass. That’s all I know.

Stevie Howell is a poet, critic, and editor. Her poetry was shortlisted for the 2013 Montreal International Poetry Prize and the 2012 Walrus Poetry Prize. Stevie's first full-length poetry collection is forthcoming in fall 2014 from Ice House Press, an imprint of Goose Lane Editions. She is the author of the forthcoming pamphlet Looting the Museum (November 2013) and two previous chapbooks, Ringsend and Royal (2012).