As Arrival and Rogue One: A Star Wars Story placed strong women at the hearts of heady, exciting science-fiction stories, Sigourney Weaver’s iconic Alien hero looms as large as ever.
The actress and filmmaker behind Waitress, who was murdered ten years ago, created as though she was on borrowed time and left a legacy that outlived her.
There was a reason none of the teens in the legendary director’s films were real rebels, but rather outsiders with an eye on upward mobility.
The third wave of B-movies—straight-to-streaming films made cheaper, faster, dirtier than ever—exist to pad streaming and on-demand services’ libraries.
EXPECT THE UNEXPECTABLE: Welcome to Wakaliwood, where rebellious, popular action films upheave classist Ugandan logic.
Danny Boyle’s film presented a stylish rendering of a very ’90s binary: counter-culture cool, or mainstream-endorsed responsible living?
The city became the go-to for a very specific type of crime movie, but Spotlight is the first film to truly capture it since Good Will Hunting.
Feminist film writing has historically struggled with a problem of reach limited by privilege. Can online journals solve the access issue without bowing to popular influence?
Ryder has always been trapped in her own anticipatory nostalgia, and the public has always wanted to keep her there.
- 1 of 7
- next ›